Understanding the Anatomy of Automotive Paint
Crafting truly photorealistic automotive renders is an art form that demands meticulous attention to detail, and nowhere is this more apparent than in the vehicle’s paint. A car’s finish isn’t just a color; it’s a complex interplay of light, reflection, and subsurface properties that define its aesthetic appeal. While Unreal Engine 5 offers incredible rendering power, achieving that coveted “showroom shine” goes far beyond applying a basic PBR material. It requires a deep dive into the anatomy of real-world paint and the construction of advanced shaders.
Many artists struggle with achieving convincing automotive paint because they overlook the multi-layered nature of modern finishes. A flat, single-layer material will always fall short, looking artificial and lacking depth. This article will guide you through the process of developing a sophisticated, photorealistic automotive paint shader in Unreal Engine 5, pushing past the basics to capture the intricate beauty of a vehicle’s finish. We’ll explore the Unreal Engine 5 PBR workflow in detail, showing you how to build a shader that not only looks stunning but is also optimized for real-time performance.
Understanding the Anatomy of Automotive Paint
Before we even open Unreal Engine, it’s crucial to understand what makes real-world car paint so complex. It’s not a monolithic layer but a finely engineered system of multiple coats, each contributing unique visual properties. Deconstructing these layers is the first step toward building physically accurate shaders.
The Core Layers of Modern Automotive Paint
Typically, automotive paint comprises several distinct layers:
- Primer: Applied directly to the metal, providing adhesion and corrosion resistance. Visually, it’s usually hidden.
- Base Coat (Color Coat): This is the layer that gives the car its primary color. It can be solid, metallic, or pearlescent. Metallic paints contain tiny aluminum or mica flakes that reflect light, creating a shimmering effect.
- Mid Coat (Optional): Sometimes used for specific effects like candy colors or multi-stage pearls, adding depth and shifting hues.
- Clear Coat: A transparent, durable layer applied over the base coat. This is what provides the deep gloss, protection from UV and scratches, and the primary source of reflections. It’s a dielectric layer, meaning it reflects light differently than the metallic base.
How Light Interacts with Each Layer
The magic happens in how light travels through and interacts with these layers. Light hits the clear coat first, where some is reflected (specular reflection), and some passes through. The light that penetrates hits the base coat, where it’s absorbed (diffuse color), or reflected by metallic flakes. This reflected light then travels back through the clear coat, being refracted and potentially reflected again. This multi-bounce interaction is what creates the characteristic depth, gloss, and sparkle we associate with high-quality automotive finishes.
Laying the Foundation: The Unreal Engine 5 PBR Workflow for Car Paint
Building a robust car paint material setup UE5 begins with a solid understanding of Physically Based Rendering (PBR). Unreal Engine 5’s PBR workflow provides a powerful foundation, allowing us to simulate real-world material properties accurately. Our goal is to create a master material that’s flexible, scalable, and easy to instance for various paint types.
Core PBR Parameters for Initial Setup
The standard PBR inputs in Unreal Engine are our starting point:
- Base Color: Represents the diffuse color of the material, which for car paint, is the underlying color of the base coat.
- Metallic: Determines if the surface is metallic (1) or dielectric (0). Car paint is tricky here; the *flakes* are metallic, but the clear coat is dielectric. We’ll simulate this layering.
- Roughness: Controls the microscopic surface irregularities. A low roughness value means a smooth, mirror-like surface; a high value means a dull, diffused surface. The clear coat typically has very low roughness.
- Specular: Controls the intensity of the specular highlight. For most PBR materials, this can be left at its default (0.5), but for specialized effects or layering, it can be adjusted.
- Normal: Used to add fine surface details like orange peel or micro-scratches without adding geometry.
- Ambient Occlusion (AO): Simulates contact shadows, enhancing depth, though less critical for a primary surface like car paint.
Setting Up a Master Material Structure
A master material is essential for efficiency. It allows us to define the complex logic once and then create numerous material instances with different colors, flake patterns, and roughness values, without recompiling shaders for each variation. This is fundamental for any real-time automotive rendering project.
Start by creating a new material. Inside, organize your graph using comments and reroute nodes for clarity. We’ll be using material functions extensively to encapsulate specific logic, making the graph cleaner and reusable. Think of the master material as a layered cake, with each function representing a distinct layer of the paint.
The Heart of the Matter: Crafting the Base Coat and Metallic Flakes
The base coat, especially metallic or pearlescent finishes, is where much of the paint’s character resides. Simulating the metallic flakes accurately is crucial for realism. This involves advanced texture work and clever material logic.
Generating Metallic Flake Maps (Procedural vs. Texture-Based)
The metallic flakes are tiny, reflective particles embedded within the base coat. Their visibility changes with viewing angle and light direction. We need a way to control their density, size, and sparkle.
- Procedural Flakes: Using noise functions within the material editor is a powerful way to generate flake patterns. A common technique involves multiple layers of Perlin or Voronoi noise, multiplied together and thresholded to create sparse, bright dots. You can use a World-Aligned Texture node to ensure the flakes don’t stretch on UV seams and appear consistent regardless of the model’s UVs. This is ideal for subtle, fine flakes.
- Texture-Based Flakes: For more unique or stylized flake patterns, a pre-rendered texture can be used. This texture would typically be a grayscale map, where white areas represent flakes. Ensure it’s tileable and high-resolution to avoid visible repetition. These textures can be created in external software like Substance Designer.
Integrating Flakes into the Base Layer
Once you have your flake map, it needs to influence the material’s properties. The flakes are essentially tiny metallic surfaces, so they should increase the ‘Metallic’ input and decrease the ‘Roughness’ in their specific areas.
- Masking and Blending: Use your flake map as a mask to blend between two sets of PBR values.
- Metallic Input: Where the flake map is white, the ‘Metallic’ value should approach 1. Where it’s black, it should be the base paint’s metallic value (often 0 for non-metallic base, or a low value for a subtle metallic sheen).
- Roughness Input: Flakes are usually very smooth. So, where the flake map is white, the ‘Roughness’ should be very low (e.g., 0.1-0.2). Where it’s black, it should be the base paint’s roughness.
- Normal Map Influence: The flakes can also have a subtle normal map effect, creating tiny bumps that catch the light. A simple way is to use a Normal From Heightmap node on your flake map and blend it with the primary normal map.
- Color Variation: Sometimes flakes have a slightly different hue. You can use the flake map to subtly tint the base color in flake areas.
Controlling Flake Density and Size
Within your material, expose parameters for controlling the flake map’s attributes:
- Flake Tiling/Scale: A scalar parameter to control the frequency of the noise or texture.
- Flake Threshold/Contrast: For procedural flakes, control how aggressively the noise is thresholded to define the flake size and density.
- Flake Metallic/Roughness Multipliers: Parameters to fine-tune the influence of the flakes on the metallic and roughness properties.
This allows artists using material instances to easily customize the flake appearance without modifying the underlying shader logic, which is key for efficient production, especially when working with high-quality 3D models from resources like 88cars3d.com.
The Gleaming Finish: Developing the Clear Coat Layer
The clear coat is arguably the most critical component for achieving that signature automotive shine. It’s a transparent, dielectric layer that sits atop the colored base, providing depth, protection, and stunning reflections. Getting the automotive clear coat shader right is paramount.
Simulating the Dielectric Clear Coat
Unreal Engine 5 offers several ways to simulate a clear coat. The most straightforward and physically accurate method is to use the Clear Coat input available on the main material node. This input allows you to define a separate clear coat layer with its own roughness and normal map, accurately simulating a thin dielectric film over your base material.
- Enable Clear Coat: In your material details panel, under the “Material” section, ensure “Clear Coat” is checked. This will expose the “ClearCoat” and “ClearCoatRoughness” pins.
- ClearCoat Input: For a uniform clear coat, simply plug in a scalar value of 1. If you need areas without a clear coat (e.g., matte vinyl wraps), you can use a mask here.
- ClearCoatRoughness Input: This is crucial. For a high-gloss finish, this value should be very low, typically between 0.05 and 0.2. Experiment to find the perfect level of shine. Expose this as a scalar parameter.
- ClearCoatNormal Input: This allows you to apply separate normal map details to the clear coat, independent of the base layer. This is perfect for simulating micro-scratches or the subtle “orange peel” effect without affecting the underlying color or flakes.
This method correctly handles the Fresnel reflection of the clear coat and its interaction with the underlying material, making it ideal for varnish and reflection layers.
Accurate Fresnel Reflections
Fresnel is a physical phenomenon where the reflectivity of a surface increases at grazing angles. This effect is extremely pronounced on car paint and is key to its depth and realism. The Clear Coat input in Unreal Engine 5 automatically handles physically accurate Fresnel for the clear coat layer, making our job much easier.
However, you might want to explicitly understand it or enhance its visual impact. While the Clear Coat input provides a good default, you can also use a Fresnel material function (available in the engine content) to drive other aspects, such as subtle color shifts at grazing angles or additional reflectivity for specific effects.
For the base coat, remember that metallic flakes already have their own Fresnel-like reflection characteristics. The overall material’s Metallic input also contributes to its base reflectivity, but the clear coat’s Fresnel is dominant for the outer surface.
Adding Imperfections: Orange Peel and Scratches
Perfectly smooth car paint rarely exists outside of CG renders. Real-world paint exhibits subtle imperfections that add to its authenticity:
- Orange Peel: This is a slight texture resembling an orange skin, a common characteristic of sprayed paint. It’s subtle but significantly enhances realism. You can simulate this using a fine, noisy normal map plugged into the ClearCoatNormal input. A tileable noise texture (e.g., Perlin noise or a custom scratch texture) with very low intensity works well.
- Micro-scratches/Swirl Marks: These are tiny, often circular scratches caused by washing and wear. They are primarily visible in specular highlights. A dedicated normal map or a roughness map that’s slightly rougher in areas where scratches appear can simulate this. Blend this normal map with your orange peel normal map using a BlendAngleCorrectedNormals node.
These subtle details prevent the paint from looking too “perfect” and artificial, rooting it firmly in reality. Remember, even pristine new cars from 88cars3d.com‘s collection would have these tiny nuances.
Adding Realism: Imperfections, Fresnel, and Advanced Reflections
Beyond the fundamental clear coat and base layers, true photorealism hinges on the details. Imperfections, accurate light interaction, and sophisticated reflection systems are critical for making your automotive renders indistinguishable from reality, especially for real-time automotive rendering applications.
Micro-Imperfections for Enhanced Realism
We touched on orange peel and swirl marks, but let’s elaborate on how to implement them effectively. These aren’t just cosmetic; they significantly influence how light scatters and reflects on the surface.
- Normal Map for Orange Peel: Use a very subtle noise texture (like a compressed Perlin noise or a fine stucco-like pattern) and convert it to a normal map within the material using the NormalFromHeightmap node, or use a pre-baked normal map. Apply this to the ClearCoatNormal input with a very low intensity. Too strong, and it looks like a textured surface; too weak, and it’s invisible.
- Roughness Map for Swirl Marks/Dust: These imperfections are often more about localized roughness variations than actual geometry. Create a grayscale texture (or use a procedural noise) that defines areas of slightly higher roughness (brighter values). Blend this with your base ClearCoatRoughness. This will cause light to scatter more in these areas, revealing the imperfections. A dedicated grayscale mask can control where these marks appear.
- Dust/Grime Overlays: For truly worn vehicles, you might introduce a secondary layer. This can be achieved by blending an additional material (e.g., a dusty material) on top of the car paint using masks derived from geometry (e.g., curvature, world-space height) or custom painted masks. This secondary layer would have its own roughness and possibly a subtly different color.
Remember, subtlety is key here. Overdoing these imperfections can quickly lead to an unrealistic, dirty look rather than a nuanced, lifelike one.
Leveraging Unreal Engine’s Advanced Reflection Systems
Unreal Engine 5 offers several cutting-edge reflection technologies. Choosing and configuring them correctly is vital for showcasing your meticulously crafted physically accurate shaders.
- Lumen Global Illumination and Reflections: Lumen is UE5’s default dynamic GI and reflection solution. It provides high-quality reflections for most surfaces, including car paint, with good performance. Ensure your scene has sufficient light sources and reflective surfaces for Lumen to sample. Lumen reflections are particularly good for broad environmental reflections on the car body.
- Screen Space Reflections (SSR): SSR provides excellent reflections for objects visible on screen. It’s fast but has limitations (reflections disappear at screen edges, and off-screen objects are not reflected). It often works in conjunction with Lumen or other reflection methods.
- Ray Tracing Reflections: For the highest fidelity reflections, especially for off-screen objects, precise inter-reflections, and sharp details, hardware-accelerated Ray Tracing is unparalleled. Enable it in project settings and configure the ray tracing quality. While more performance-intensive, for cinematics or high-end configurators, it delivers breathtaking results. Ensure your clear coat shader is optimized for ray tracing to prevent unnecessary performance hits.
- Reflection Captures: While Lumen and Ray Tracing handle dynamic reflections, Reflection Captures (Sphere or Box) are still useful for static environments, especially for fallback or for specific static reflections, though Lumen largely supersedes their dynamic reflection role.
For automotive visualization, a combination of Lumen and, where performance allows, Ray Tracing, will yield the best results.
Calibrating for Physically Accurate Shaders
Achieving physically accurate shaders means understanding the real-world values for materials. For car paint:
- Base Color: Should be a realistic color value, not excessively bright or dark.
- Clear Coat Roughness: Extremely low, typically in the 0.05-0.2 range for polished surfaces. A new car might be 0.05-0.1, while an older car might be 0.15-0.2.
- IOR (Index of Refraction): While not directly exposed for the clear coat in UE5 (it’s handled internally), understanding that clear coats are dielectric polymers helps to inform roughness values. Dielectrics typically have an IOR around 1.3-1.5.
- Environment Lighting: Your lighting environment is just as crucial as your shader. Use high-dynamic-range image (HDRI) maps for realistic outdoor or studio lighting. An accurate HDRI will provide the rich, nuanced reflections needed to make your paint truly shine. Calibrate your lights and exposure for a neutral look first, then fine-tune.
Performance and Polish: Shader Optimization for Automotive
Creating beautiful, complex shaders is one thing; making them run efficiently in real-time is another. Shader optimization for automotive materials is vital, especially for interactive applications like configurators or games, where performance directly impacts user experience. A high-quality model from 88cars3d.com deserves a high-performance shader.
Minimizing Instruction Count
Every node in your material graph contributes to the shader’s instruction count, which directly affects GPU performance. Complex shaders with many calculations can become bottlenecks.
- Profile Your Shader: Use Unreal Engine’s built-in shader complexity view (Show -> Shader Complexity) to identify expensive materials. Red indicates high complexity.
- Consolidate Calculations: Look for opportunities to combine mathematical operations. For example, instead of separate ‘Multiply’ nodes for several parameters, combine them into fewer, more complex operations if possible.
- Avoid Unnecessary Per-Pixel Calculations: Calculations that don’t need to happen per-pixel (e.g., constant values, simple lerps between constants) can sometimes be optimized.
- Use Material Functions Wisely: While functions promote organization, ensure they don’t introduce redundant calculations.
Efficient Texture Usage
Textures are a significant memory and performance factor. Smart texture management is key.
- Texture Packing: Combine multiple grayscale maps (e.g., roughness, metallic, AO) into different channels (Red, Green, Blue, Alpha) of a single texture. This saves texture samples and memory. For instance, put roughness in the Red channel, metallic in Green, and a mask in Blue.
- Appropriate Resolution: Use textures at resolutions that match their visual impact. A small detail map doesn’t need to be 4K. Use LODs (Level of Detail) for textures as well.
- Streamable Textures: Ensure textures are set to be streamable in their import settings.
- Compressed Formats: Use efficient compression formats (e.g., BC1, BC3, BC7) where appropriate.
Leveraging Material Instances and Static Switches
This is where the master material concept truly pays off for optimization.
- Material Instances: As mentioned, once your master material is set up, create material instances for each specific car paint. These instances allow you to modify parameters (color, flake density, roughness) without recompiling the shader, leading to faster iteration and lower memory overhead.
- Static Switches: Integrate static switch parameters into your master material to enable or disable entire branches of your shader logic. For example, if some cars don’t require metallic flakes, you can add a static switch to entirely bypass the flake calculation, resulting in a simpler, faster shader variant. This can also be used for advanced features like clear coat imperfections; if a simple, perfect clear coat is needed, the orange peel normal map can be switched off. When a static switch is compiled, the unused branch is completely removed from the shader, leading to significant instruction count savings.
By carefully balancing visual fidelity with performance considerations, you can create a suite of car paint material setup UE5 options that look incredible without crippling your frame rate, delivering a smooth experience for users interacting with your automotive assets.
Conclusion
Crafting photorealistic automotive paint shaders in Unreal Engine 5 is a journey that moves beyond simple PBR inputs into a deep understanding of multi-layered materials and advanced rendering techniques. We’ve explored the intricate anatomy of car paint, built a robust master material using the Unreal Engine 5 PBR workflow, meticulously crafted base coats with dynamic metallic flakes, and developed a gleaming automotive clear coat shader complete with realistic imperfections and accurate Fresnel reflections.
By focusing on physically accurate shaders and leveraging Unreal Engine’s powerful features for real-time automotive rendering, you can achieve results that truly stand out. Remember that optimization, particularly shader optimization for automotive projects, is not an afterthought but an integral part of the development process, ensuring your stunning visuals perform flawlessly.
The journey to photorealism is one of continuous learning and experimentation. Take these techniques as a foundation and build upon them. Play with different noise functions for flakes, experiment with various imperfection maps, and push the boundaries of what’s possible. For starting your next automotive project with high-quality, pre-built models, be sure to explore the extensive collection at 88cars3d.com. Their detailed models provide the perfect canvas for your advanced shaders. Now go forth and make those vehicles shine!
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Material: Yes
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Price: $10
Toyota Mark II X81 1990 3D Model
Texture: Yes
Material: Yes
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Toyota iQ EV 2012 3D Model
Texture: Yes
Material: Yes
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Toyota Aygo 2013 3D Model
Texture: Yes
Material: Yes
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Toyota Crown S180 2005 3D Model
Texture: Yes
Material: Yes
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Toyota Celica 2004 3D Model
Texture: Yes
Material: Yes
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Toyota Corolla AE100 1992 3D Model
Texture: Yes
Material: Yes
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Toyota Mark II X110 2000 3D Model
Texture: Yes
Material: Yes
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Toyota Corolla 2020 3D Model
Texture: Yes
Material: Yes
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Toyota Yaris 2020 3D Model
Texture: Yes
Material: Yes
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Price: $9.9
Volkswagen Beetle 2012 3D Model
Texture: Yes
Material: Yes
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Toyota Matrix 2005 3D Model
Texture: Yes
Material: Yes
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Toyota Yaris Sedan 3D Model
Texture: Yes
Material: Yes
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Volkswagen Golf R-004 2024 3D Model
Texture: Yes
Material: Yes
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Volkswagen Golf 5 Door 2010 3D Model
Texture: Yes
Material: Yes
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Toyota Premio 2010 3D Model
Texture: Yes
Material: Yes
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Toyota Opa 2000 3D Model
Texture: Yes
Material: Yes
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Volkswagen Polo 5 Door 2010 3D Model
Texture: Yes
Material: Yes
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Toyota Prius 2024 3D Model
Texture: Yes
Material: Yes
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Toyota Yaris 1999 3D Model
Texture: Yes
Material: Yes
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Toyota Supra 2020 3D Model
Texture: Yes
Material: Yes
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Volkswagen New Beetle 2000 3D Model
Texture: Yes
Material: Yes
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Price: $14.99
Volkswagen Jetta 2005 3D Model
Texture: Yes
Material: Yes
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Price: $18.99
Volkswagen Golf 3-Door 3D Model
Texture: Yes
Material: Yes
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Volvo V70 2005 3D Model
Texture: Yes
Material: Yes
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Volkswagen Bora 2004 3D Model
Texture: Yes
Material: Yes
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Volkswagen Lupo 3D Model
Texture: Yes
Material: Yes
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Price: $19.99
Volkswagen Passat B5 2000 3D Model
Texture: Yes
Material: Yes
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Volkswagen Passat CC 3D Model
Texture: Yes
Material: Yes
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Volkswagen Golf V 2006 3D Model
Texture: Yes
Material: Yes
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Volvo S60 R-Design 2024 3D Model
Texture: Yes
Material: Yes
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Volkswagen Passat 2025 3D Model
Texture: Yes
Material: Yes
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Volkswagen Passat Variant B6 2005 3D Model
Texture: Yes
Material: Yes
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Volkswagen Phaeton W12 2004 3D Model
Texture: Yes
Material: Yes
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Volkswagen Scirocco 2015 3D Model
Texture: Yes
Material: Yes
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Volvo S60 2024 3D Model
Texture: Yes
Material: Yes
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Volkswagen Polo 3D Model
Texture: Yes
Material: Yes
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Volkswagen Golf 5-Doors 2018 3D Model
Texture: Yes
Material: Yes
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Volvo C70 T5 2000 3D Model
Texture: Yes
Material: Yes
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Price: $23.99
Volvo S40 Sedan 2004 3D Model
Texture: Yes
Material: Yes
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Volvo C30 BEV 2012 3D Model
Texture: Yes
Material: Yes
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Volvo C70 1998 3D Model
Texture: Yes
Material: Yes
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Mazda B-Series 3D Model
Texture: Yes
Material: Yes
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Mercsedes Benz Z3-006 3D Model
Texture: Yes
Material: Yes
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Mazda RX-7 3D Model
Texture: Yes
Material: Yes
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Volvo VCC-003 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz SLR McLaren 2005 3D Model
Texture: Yes
Material: Yes
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Price: $23.99
GAZ 3110 Pickup 2000 3D Model
Texture: Yes
Material: Yes
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Mazda 626 GF 1997 3D Model
Texture: Yes
Material: Yes
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Volvo S80 2011 3D Model
Texture: Yes
Material: Yes
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Volkswagen Touran restyle-006 3D Model
Texture: Yes
Material: Yes
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Skoda Octavia Scout 3D Model
Texture: Yes
Material: Yes
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Volkswagen Golf V 2006 3D Model
Texture: Yes
Material: Yes
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Mazda CX-7 3D Model
Texture: Yes
Material: Yes
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Mazda Familia 3D Model
Texture: Yes
Material: Yes
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GAS 21 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz SL500 AMG (R129) 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz S-Class W221 2005 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz E-Class W212 2009 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz E-class Estate S212 2009 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz 190 W201 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz C230 SportCoupé 2005 3D Model
Texture: Yes
Material: Yes
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Mercedes-Benz SLK 3D Model
Texture: Yes
Material: Yes
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Mercedes 600 SEC W140 1992 3D Model
Texture: Yes
Material: Yes
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Price: $23.99
